Reviews/director
The Suit
- Izabella Andrea Cseh: The (jazz)score of revenge
- Éva Farkas: It is not Baucis, Matilda
- Enikő Gergics: Violence and instead of it
- Gábor Bóta: Love triangle with a suit
- Júlia Prikazovics: Politics of a Relationship, Political Relationship
- Gyula Balogh: Our most cherished secrets in the performance, staged by Zoltán Balázs
- Emerald Dragon: An abuser from the hurt one – The Suit
- Noémi Sümegi: His wife cheated him so he has found out a cruel revenge
- Alexandra Ivanoff: Noir cabaret premiere captures attention at METTRIN Arts Center
Inhuman
Mikve
The Penelopiad
The Puppetmaster
Alice in bed
Frankenstein
Pandorium
Forefathers' eve II.
Someone like me
Fearseekers
Nine
Merlin
Alice in bed
Yvonne
For Your Own Good
Gardenia
August
Csongor and Tünde
The Lesson
Three Sisters
Dada Cabaret
How to Explain the History of Communism to Mental Patients
- Jay Van Ort: How to Explain the History of Communism to Mental Patients
- Christopher Kidder-Mostrom: How to Explain the History of Communism to Mental Patients
- Justin Hayford: How to Explain the History of Communism to Mental Patients
- Clint May: How to Explain the History of Communism to Mental Patients
Great Sound in the Rush
Exercises in Style
Anna and the Barbies - 10th Anniversary Concert
Macbeth/Anatomy
- András Nagy: Macspear – The X. Shakespeare Festival in Gyula
- Ferenc Margl: Oh, Macbeth, why are you Macbeth?
- Emőke Sárosi: Macbeth, the dinner of the rats
- Panna Adorjáni: Rough, easy, Shakespeare
- Balázs Zsedényi: One sneaking away rat
- Andrea Tompa: It is just skeleton
- Mária Ady: The anatomy of the set
- Bálint Kovács: Rattrap
Master and Margarita
- Mircea Morariu: The Master and Margarita
- Mircea Morariu: Why is enchanting what is hidden
- Monica Andronescu: If Jesus did not exist, he would have to be invented
- Cristian China-Birta: In which everything can be found, without being complete
- Oltiţa Cântec: Performances from Szeben on the International Theatrical Festival of Nagyszeben of 2013
Don Carlos/Egmont
The Story of the Panda Bears...
Tristan and Isolde
Swan Lake
Inferno
- MGP: Zoltán Balázs’ inferno
- Anna Nikoletta Nagy: Inferno
- György Gold: Getting down to the Inferno
- István J. Bedő: Why is Dante? When is Dante?
- Eszter Götz: All people are unfinished experiments
- Norbert Mátyus: Now we go down from here to the unknown world
- Balázs Zsedényi: Landscapes from the circles
- Balázs Urbán: The circles of form
- Krisztina Szepesi: Inferno
- Tamás Tarján: Led by Babits
- Ákos Török: The drowsiness of those, who are walking in the Inferno
- Zsigmond Sándor Papp: The Modernised Inferno
The Kitchen
Platonov
- MGP: Chekov-Tutti
- Krisztina Szepesi: Platonov
- Lilla Turbuly: Billiard from half past seven
- Tamás Jászay: Game, passion
- György Gold: Life is a billiard game
- Dezső Kovács: Games on the billiard table
- Natalia Jakubova: Yellow to the corner. Doublett to the middle!
- Gábor Bóta: The amazing feat and the silent absorption
- Attila Nyulassy: Kiss on the billiard table
- Tamás Tarján: What is your plan – Platonov?
- István L. Sándor: Hungarian Platonovs
- Judit Csáki: Death on the billiard table
- István L. Sándor: Let’s play!
- Katalin Gabnai: Platonov
- Natalia Jakubova: (Желтого в угол, дуплет в середину!) Yellow to the corner. Doublett to the middle!
- Rita Sebestyén: Theatrical Interventions - on five recent performances of Maladype Theatre
The Return of Ulysses
King Ubu
- MGP: King Ubu
- Katalin Gabnai: King Ubu
- White Elephant: King Ubu
- Bálint Kovács: Children’s game
- Andrea Rádai: Naughty Ubus
- Krisztina Szepesi: King Ubu
- Tamás Jászay: The Ubu inside us
- Daniela Magiaru: The viewers’ diary
- Ágnes Bakk: A power made of pieces of paper
- Gábor Bóta: Ubu – Villainy brimming with life
- Judit Csáki: Can you see it! - Maladype-evenings
- Yossarian: King Ubu in the programme of POSZT
- Vladimír Mikulka: Ubu te king of the newspaper
- Ondřej Šulc: Ubu prostý
- Rita Sebestyén: Theatrical Interventions - on five recent performances of Maladype Theatre
King Ubu - open rehearsals
The Duchess of Malfi
Faust I-II
- Dezső Kovács: The capricious performance of imagination
- Kristóf Bíró: Word or puppet theatre?
- László Deme Sz.: The puppet art of mirror images
- Szabolcs Szekeres: Long life journey
- András Sztrókay: City lights
- Thomas Irmer: Station dramaturgy
- Tamás Tarján: The saint fire of poetry
- Judit Csáki: A rush over the world
- Katalin Gabnai: Faust-mosaic
- Tamás Paár: I can’t get no…
- MGP: Dr. Faust
Egg(s)Hell
- MGP: Egg(s)Hell
- Glória Halász: Picture postcard
- Krisztina Szepesi: Egg(s)Hell
- Tamás Tarján: An eighty minutes long etude
- Ákos Török: The completeness of number eight
- Gábor Bóta: From entanglement into each other comes loneliness in a crowd
- Balázs Zsedényi: From the suit until the rubber duck
- Zuzana Perůtková: What is under the hell of the egg?
- Dóra Juhász: It is unique and deep as sunny side up eggs
- Anna Nikoletta Nagy: Body – language
- Bálint Kovács: Once upon children
- Daniela Magiaru: Viewers’ diary
The Vampire
Leonce and Lena
- MGP: Büchner
- Dezső Kovács: A game of bodies
- Bálint Kovács: Theatre makers
- Ákos Török: Stage games, language games
- Dóra Juhász: Actually Leonces and then Lenas
- Zoltán Kristóf: Variations of one topic, in Georg Büchner’s way
- Noémi Herczog: Transformations with magic sticks: neither Leonces nor Lenas
- László Zappe: Pig in a poke – the end or the beginning
- György Harmat: Leonce and Lena by Maladype
- Tamás Koltai: Everybody has his or her own empire
- Gábor Pap: A potential Leonce-marathon
- Szabolcs Szekeres: Problems of relationship
- Alice Árvay: Who watches Leonce and Lena – Maladype
- Ian Herbert: Can You Hear Me In Maribor?
- Tamás Tarján: L. and L. on the 130th
- Tamás Jászay: From where should we watch it?
- Róbert Balogh: Glazed eyes
The Mikado
The Tempest
- Balázs Perényi: Stormy passions
- Tamás Tarján: Passions that are shining on the bluish sky
- Gábor Bóta: Polygraph reflectors
- Tamás Koltai: Where does freedom lead?
- László Zappe: The suicidal rebellion
- Tamás Jászay: Tempestuous critics
- Gábor Pap: In the art gallery
- Judit Csáki: Doubled Tempest
- Orsi Kónya: The Kabanovs
Acropolis
Empedocles
Pelléas and Mélisande
- Tamás Jászay: It is the same in a different way
- Orsolya Kelemen: Maeterlinck: Pelléas and Mélisande
- Antropos: Instructions to Pelléas and Mélisande
- MGP: Who earns for his own Blue Bird
- Bea Selmeczi: Protected from the sun light
- Rita Sebestyén: On the language of dreams
- MGP: Pelléas and Mélisande
- Zsófia Molnár: Phoenix
The Blacks
- MGP: The Blacks = the Gypsies
- Balázs Perényi: The flowers of disruption
- Hédi Helmeczi: The seven veils dance of the soul
- Tamás Jászay: Get reflected in one another
- Borbála Sebők: The voice is friendly, deep, its colour is…
- Á. L. : Black-white opera in the Bárka Theatre
- Gábor Pap: Mirrors and confusions
- Rita Sebestyén: On the language of dreams
- White Elephant: The Blacks
- White Elephant: The Blacks – last performance
Theomachia
- MGP: The battle of gods in the Bárka Theatre
- Gábor Pap: The fight of harmony and metre
- Tamás Tarján: In the crater of darkness
- Ian Herbert: An elevating ceremony
- András Nagy: The fight of Gods
- Anna Földes: The universal secret
- László Zappe: Theomachia
- Judit Csáki: Stone, bread
- Tamás Koltai: The fate is cruel
- Adrienne Dömötör: Towards the completeness
- Haynal: Even a god can avoid his fate
- Ilona Gantner: Weöres’ divine trio
- Tamás Jászay: Dlihc eht si erehw?
- Melinda Sőregi: The captain takes a risk
- POSZT: Theomachia – Professional discussion
School for Fools
Jack, or the Submission
This Ancient Anxiety